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In Autohystoria, filmmaker Raya Martin tries to create his own version of the story (thus, the “auto” and the “history” in the title), but instead comes up with something else, a gripping masterful artwork that works in so many levels — as a linear retelling of a forgotten historical anecdote, as a nightmare, as a commentary on the many powers of filmmaking, and much more (thus, the “hysteria” in the title).
